These louder tracks are done no favours by the process by which they were engineered: compressed and distorted in a fashion that leaves Tyler's vocals largely inaudible. In the case of 'Find Your Wings,' it is unfairly sandwiched between the blown-out sonics of 'Pilot,' the horrendous mixing job of the title track and a fleeting interlude - an issue of sequencing that could have perhaps been helped along by an overarching narrative such as his previous records employed. The Roy Ayers-assisted highlight 'Find Your Wings' (a theme brought up elsewhere on the record) hits the mark with its opening jam section and breezy groove, a quality also present in the first half of '2Seater' and within the neo-soul of Charlie Wilson collaboration 'Fucking Young.' However, these moments of souled-out bliss are only temporary, pushed aside by jarring, more aggressive fare reportedly stemming from his interest in the music of Death Grips. No stranger to R&B, soul and jazz, tracks in these veins highlight Tyler's ear for arrangement and composition. Further growth seemed imminent after he billed Cherry Bomb as the record on which he made 'the music I listen to,' though it proves to a be a tough task Tyler, it seems, listens to a wide variety of music. With 2013's Wolf, the California emcee broke away from vivid rhymes of violence to explore a variety of different themes, backing it with some of his most accomplished production to date.

Tyler, the Creator's gradual musical maturation can be observed on each of his studio albums since the shock-rap of Bastard engaged angst-fuelled audiences in 2009.

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